Superheroes have caused some fans to become displeased in an era where both film and television landscapes are dominated by them. Naturally, not everyone finds watching somebody fly or fire lasers to be entertaining. Even some of the top personalities in Hollywood don’t like superheroes.
However, there are some superhero shows that even the most dubious viewer will find to be highly enjoyable. These programs frequently borrow from different genres or employ topics that are relevant to everyday life. Others significantly stray from the comics that served as their inspiration, thus viewers are not required to have read the novels. These programs demonstrate that watching superheroes doesn’t need being a superfan.
10. Watchmen (2019)
The events of Watchmen, which revolve around conflicts between the Tulsa Police Department and a white supremacist group, are based on Alan Moore and Dave Gibbons’s Elseworlds comic, but they remain distinct since they occur 34 years after the events of the comic. As a result, viewers are not need to be familiar with the comic book.
The HBO series keeps current by extensively examining racism, the problems of the criminal justice system, and police brutality, as opposed to dwelling in fantasy realms like other superhero programs do.
The show incorporates a few true events, most notably the historic Black Wall Street massacre, in addition to staying away from sequences that demand viewers suspend their disbelief. Sadly, Watchmen only had one season, making it one of the great superhero series that was cut too short.
9. The Punisher (2017)
Since none of the primary characters in Marvel’s The Punisher possess abilities, the show rarely has the vibe of a superhero one. Frank Castle, the main character, is also not a hero. He follows his own rules and is only driven by the need to get revenge on everyone who caused harm to his family. The Punisher is one of the most approachable Marvel series because it puts action before any sort of cohesive plot.
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8. Raising Dion (2019)
Raising Dion will compel skeptics to read it despite its focus on the protagonist’s discovery of his talents because of its endearing main character. Dion Warren is a passionate advocate for animal rights who upholds a firm set of values. Thus, his priorities go beyond simply seeking out superpowered foes to defeat.
Dion, although being one of the least well-known superheroes, is more responsible than other young heroes. His relationship with his mother is highlighted in the show just as much as his valiant trek. Saving the world is merely a component in a wonderful show about parenting and family that viewers are presented to.
7. Agent Carter (2015-2016)
Compared to its other Marvel productions, Agent Carter is more like well-known spy TV series. Scenes like Peggy Carter sneaking into a posh club to get molecular nitramine and deciphering a communication from Levathian that was encrypted wouldn’t be out of place in a James Bond film. Given that it takes place after World War II, the series is also worthwhile viewing for fans of historical dramas like Downton Abbey.
The Avengers are merely mentioned, but Peggy and other important characters have close ties to Steve Rogers and Tony Stark. The main ties between the show and the MCU are Tony’s father Howard Stark (played superbly by Dominic Cooper) and Edwin Jarvis (James D’Arcy), both of whom are independent characters. Audiences can therefore enjoy Agent Carter even if they are unfamiliar with the Marvel universe.
6. Stan Lee’s Lucky Man (2016)
Harry Clayton, a Central London investigator, is featured in Stan Lee’s Lucky Man. But oddly, it’s not a part of the Marvel Universe despite Lee’s involvement. In response to a query about the superpower he would most like to possess, the Marvel great told Digital Spy he developed the series: the capacity to manage one’s fortunes.
Despite Harry having this incredibly unique ability, Lucky Man utilizes the character to discuss human behavior. Harry later decides against using his talents to solve crimes and instead uses them to win in casinos.
With the knowledge that he won’t be caught, he commits further vices like concealing evidence and stealing. Even though he was created by one of the most well-known comic book figures of all time, he is unquestionably not a superhero.
5. Constantine (2014-2015)
Being an occult detective drama, Constantine has a good reason to avoid using any superhero tropes. The series centers on English exorcist John Constantine’s pursuit of demons while being based on a DC Comics character.
He possesses occult skills like scrying and necromancy rather than superpowers in the traditional meaning of the word. This makes it simple for horror aficionados to watch the show without having to delve into any DC knowledge.
Most crucially, no encounters with other DC heroes were featured in the NBC show’s first season. That happened long later, when Matt Ryan returned to the Arrowverse on The CW. He had a fantastic supporting cast for his solo series, including Harold Perrineau (Lost, From), who played the angel Manny on a frequent basis.
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4. Misfits (2009 – 2013)
Misfits, whose main characters have zero interest in harnessing their abilities for the greater good, will appeal to those who despise superheroes because they all seem to convey the same story. After being struck by lightning, the juvenile offenders gain superhuman abilities and become even more reckless. The program is the exact opposite of a superhero program.
Due to the teens’ erratic behavior, their probation officer died accidentally. Their crude antics are also full of hilarity, especially from one character who is jealous and resentful since he hasn’t discovered what his powers are. Misfits is generally about a group of normal young adults with unique abilities, with all the drama that involves.
3. Gotham (2014-2019)
Given that Gotham is situated in Gotham City yet does not include Batman, it will appeal to fans of various genres. James Gordon, a detective in Gotham City and a future commissioner, serves as the story’s main character, making it more of a procedural.
While several villains from Batman’s rogues gallery make an appearance, most of them are portrayed as cunning criminals rather than gigantic supervillains because the focus of the show is on telling the tale of the city rather than its future hero.
Like in the Batman comics, none of the villains ever succeed in posing a danger on a worldwide scale. Gordon manages to defend Gotham to the best of his ability despite not having a Caped Crusader to assist. Bruce Wayne also makes an appearance, but he’s considerably younger in the series, and he only starts to develop into Batman as it gets closer to its conclusion.
2. Jessica Jones (2015-2019)
The main Jessica Jones character has no desire to use her abilities. She acts more like a disturbed character from a high-profile TV drama: she drinks excessively, works too hard after deciding to become a private investigator, and has bad money management skills. Even if she is a reluctant hero, her story would still be engaging if it concentrated on her as a person.
Jessica is given a love connection as a sort of reprieve that would easily fit into any other drama series. She is in a relationship with Luke Cage, another hero who isn’t always brave, and the two have many tender moments together.
Furthermore, Jessica solves routine cases that many of the most popular TV detectives might have taken care of. While she does fight supervillains, the show has a diverse enough plot to interest viewers regardless of whether they are fans or not.
1. The Boys (2019-Present)
The Boys spends a lot of time on themes like consumerism, corruption, and capitalism. The story revolves around a group of superheroes that are loved by Americans but are promoted by Vought International, which makes significant money off of them. Despite their outward appearances, they are everything but heroes in this crude and bloody tale.
The fact that The Boys asks how regular people would act if they had superpowers makes it the greatest entertainment for those who despise superheroes. Anyone with Superman’s powers might not be soaring around saving the world; instead, they might be despotic and condescending like Homelander. The Prime Video series is the complete antithesis of a superhero television program and then crosses several other red lines.
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